Don't start at the beginning of a passage, start somewhere in the middle, just at random and keep changing from where you start.Īh, all of the times are correlated, probably within about 15 seconds per mile. Look at the parts where the mistakes happen and play those parts, again and again and again. I think it is also possible with this piece. If you dont develop that ability you can play fast because you wont have the time to think about every detail all the time in very fast pieces.
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And typically ”muscle memory” allows you to avoid thinking about every detail of how to play. With time you will get used to process the music faster. What you need to practice is take extremely simple pieces, way simplier than what you can play and practice speed playing everyday. Thats because you are not used to play at that speed continuously so you get overloaded by the tempo. But when I try to connect passages, I start making mistakes when playing fast, which I don't do when I play slowly, because when playing slowly I have enough time to remember what to do next. If I work with one passage at the time, whenever I finish with that passage I play it at speed without getting tense. Also, even if you can do it playing a fast piece to others it's very easy to fall off so needs even more work to get secure.Īs I said before, if you want more useful tips you need to put the music you are playing or a video otherwise it's probably not clear what the issue is or if there even is oneĬan you play any of the passages in it at speed WITHOUT getting tense? You also need to learn to identify all the parts where you slip up. Its also probably very very true the comment you need to always practice fast music. I found another strategy last week of just playing a difficult phrase over and over and over. I also do the above so I don't get bored. the above may be tools but you need to keep trying. It is however practice that few do as it can be boring. eg My teacher showed how me how to play scales very fast with a rotation but playing fast is very hard and requires a great deal of practice and it is what I spend most of my time working on since it's much easier when you have experience to get the basics done. I do use this for Scarlatti D minor K517. chaining (good for weak links so you play four notes very quickly and then join the chains together) There are four variations (long-short-short,short), (short-long-short-short) etc. However he also suggested with 4 notes which is harder so works when you can do two note rhythms. playing very slowly to get no mistakes (I don't really do this one as it was not mentioned by my teacher but I do this a lot when first learning the piece)īut he mentioned doing it in more rhythms. I don't go to any of them but this one was good so maybe they can be helpful if they are about a generic topic) ( I don't actually really understand piano group tutorials as the others I've seen people talk about music I don't play so it's very boring. I did go on one online piano tutorial by Graham Finch about playing faster. You wouldn't learn to swim front crawl by continually practicing turning your head without joining up what happens with your arms before and after, would you? Get the whole lot into your muscle memory - not by thinking.Ī piece is only as good as its weakest link. And you keep on repeating that until the whole phrase becomes fluent.
So, you practice the bit that you keep stumbling on, then, immediately play the whole phrase at the speed you can play that bit, or bits. Why are you repeatedly practicing a piece in such short sections that don't join up to become whole, such that you end up having to keep thinking: what's coming next? You have a section of say, part of a scale followed by part of an arpeggio, finishing with a V-I. My fingers can do it! But for my mind at each measure to know exactly what to do now, and now, and now, that is the biggest struggle.That is exactly what I mean by over-thinking. So I am not struggling with a technical problem. When I practise the piece in small sections, I can end up playing each section really fast. The mental component that is a big block on the road to playing fast, is remembering what to do exactly when I have to do it and not a split second too late. There is a huge mental component and it has nothing whatsoever to do with overthinking.
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