Shadowcatcher, concerto for brass quintet and orchestra (or wind ensemble or piano) (1996) Smoky Mountain Celebration Ĭoncerto for Oboe and Wind Ensemble (2010)įor Clarinet, Harp and String Orchestra (1987)Ĭoncerto for Flute and Chamber Orchestra, flute, string orchestra, harp and percussion (1989)Ĭoncerto for Trumpet and String Orchestra (1990) Ĭlassical Concerto, saxophone and orchestra (1990?) for traditionalĪ Hymn for the Lost and the Living, wind ensemble (2001)Ĭelebration of a Cherished Life, wind ensemble (2002)įanfare, brass and percussion orchestra [10 brass instruments and In Brass, brass and percussion orchestra (1991) [also arr. Monument to Color and Light, orchestra (2011)Ĭeltic Hymns and Dances, wind ensemble (1990) Old Settlers' Picnic, string orchestra (2006?) Overture to the School for Strings, string orchestra (2000)įor String Orchestra (2001) Island Chants and Dances, chamber orchestra (1982) Ewazen has garnered numerous prestigious commissions, including Legacy (2000), for the Bi-Centennial of West Point, and Flight (2001), for the U.S. In addition, in 1992 he becameĪ lecturer for the New York Philharmonic Musical Encounters program. Peabody, Boston Conservatory, the Santa Cruz Conservatory, and theīirmingham Conservatory in England. Universities in the United States and abroad, including Curtis, Music in general by accepting numerous invitations to appear at Serves as professor of composition there. From the 1980s onwardĮwazen extended his ties to education and to actively promoting serious He joined the faculty at Juilliard in 1980 and Prizes, including the Louis Lane Prize (1974) and Howard Samuel Adler, and Gunther Schuller. After receiving a BMI Awardįor Dagon (1973), Ewazen continued with a string of composition School, and his teachers were Milton Babbitt, Joseph Schwantner, Has earned degrees the Eastman School of Music and the Julliard Tinged with the spirit of Copland, Creston, and other iconic AmericanĬomposers, and a melodic facility one critic compared to Prokofiev's. Many of his compositions, however, and exhibits a unique style often He has favored brass and wind instruments in Versatility in his output, producing orchestral, piano, vocal, chamber,Īnd various other works.
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